
2021
Desdemona
Otello
Giuseppe Verdi
Lieu
Opéra de Saint-Étienne
Mise en scène
Stefano Mazzonis di Pralafera (réal. Gianni Santucci)
Direction
Giuseppe Grazioli
Casting
Nikolai Schukoff (Otello), André Heyboer (Iago), Sébastien Droy (Cassio), Marie Gautrot (Emilia)
Critiques
Première Loge
Gabrielle Philiponet can rely on a round and ample timber to embody Desdemona's anxious sensibility, and demonstrates an intelligent mastery of her lyrical soprano range throughout the whole opera...
Forum Opéra - Yvan Beuvard
Avoiding all sort of mannerism, with innocence and dignity, tormented and moving, Gabrielle Philiponet now possesses the vocal maturity necessary to bring Desdemona to life. Projection, power, and lightness, a charming legato and a dramatic instinct are present. The Willow song, follower by the Ave Maria, manage to find the righteous colors. Her personality building up from the first duo with Otello towards the culmination of the supreme sacrifice...
Ôlyrix
The awaited cast of voices did fulfill expectations. Desdemona is played by Gabrielle
Philiponet, an accomplished verdian singer. Although she stayed quite discreet during the first two acts, as planned by the libretto, the lest two give her the possibility to shine at
her full power. The young soprano has a lavish voice, with a clear and exquisite timber, that projects broadly and fully, which allows her to spin a rich and homogeneous singing line. Using these features, the si her seems at ease incarnating a loving wife being the victim of her husband's jealousy. Completely aware of weaknesses of her character, the artist gives a touching and impressive performance of the bidding cantilena (”Piangea cantando nell'erma landa“) and of the Ave Maria announcing her dark doom...
Vidéo
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